Posts Tagged → signed

Williwaw

by Gore Vidal

SIGNED | First Edition | E. P. Dutton & Company | 1946

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Gore Vidal was many things: novelist, screenwriter, sometimes-actor, attempted politician, and a problem child of belles-lettres, to name a few. He wasn’t shy about picking fights with literary giants — there’s even a section on his Wikipedia page dedicated to “Feuds.” Opinionated and polemical as he was, Vidal had an undeniable influence on culture and the writing landscape. He wrote his first novel, Williwaw, when he was only nineteen, thus beginning a prolific career.

Vidal wrote much of Williwaw during his time as an officer in the Army Transportation Corps, stationed near the Aleutian Islands, where the novel’s titular wind phenomenon occurs. Williwaw takes place in the same setting on the margins of World War II, during the local storm season. Its minimalist style and exploration of nature vs. human nature recalls writers such as Hemingway and Stephen Crane, and the novel’s success placed Vidal in an elite category of young post-war novelists like Norman Mailer and Truman Capote (a comparison which would likely spark Vidal’s ire — see “Feuds“).

Despite Vidal’s military upbringing and his own personal involvement in the army, his political views often circled back to a belief that the United States’ militaristic, imperialist foreign policy had turned the country into a disgraceful, failed experiment. In the post-9/11 years, in particular, he vocally opposed the Bush administration’s invasion of Iraq. Not just in the case of war but in any cause towards which he felt a twitch of passion, Vidal nestled snugly into the self-appointed role of “tremendous hater.” He was a man in touch with all the world’s ups and downs, who believed the “downs” to be most prevalent, and who wrote about it all in a body of work equally satirical and deadly serious.

With this first edition of Gore Vidal’s first novel, we can see the seeds of a storied career. The Dawn Treader’s copy even bears his own handwriting — a note to Charles Abramson, an old Broadway Angel and friend of Vidal’s, and his signature — the enduring mark of a prolific provocateur.

(Visit us in the store to see our signed first edition of Gore Vidal’s novel Creation!)

The Unpleasant Profession of Jonathan Hoag

by Robert A. Heinlein

First Edition | SIGNED | Gnome Press | 1959

Call, email, or visit us in the store to buy this book!

In conversations about science fiction greats, Heinlein’s name looms large. His rise to popularity coincided with the genre’s, which first gained readership through pulp magazines such as Astounding Science Fiction (originally Astounding Stories, now known as Analog), which published Heinlein’s early stories alongside the likes of Isaac Asimov. Astounding‘s sister magazine, Unknown Worlds, originally published the novella The Unpleasant Profession of Jonathan Hoag, which was then re-published in book form alongside five other Heinlein stories. This is the version you see here — a first edition, signed by Heinlein and published by Gnome Press.

Gnome Press, like Heinlein and Astounding, played a foundational role in building the science fiction genre as it is known today. In the 1940s, sci-fi was largely published in magazines; Gnome’s founders, Martin L. Greenberg and David Kyle, dreamed of building a mass market for sci-fi books. And they succeeded! Beginning in 1948, Gnome published more than fifty books, including, perhaps most notably, Isaac Asimov’s Foundation Trilogy. In addition to publishing novels, they gathered stories previously seen in magazines into one place, as was the case with Jonathan Hoag. Soon mainstream publishers began to take notice of the press’s success, and the genre flourished in the way Greenberg and Kyle hoped it would. Ultimately, Gnome’s progress was its downfall. The press couldn’t keep up with the financial pressure and folded in 1962.

Heinlein published four books with Gnome Press: Sixth Column, Methuselah’s Children, The Menace From Earth, and The Unpleasant Profession of Jonathan Hoag. He was one of the leading writers of “hard” science fiction, which emphasized scientific accuracy, though Jonathan Hoag deviates from this categorization with its uncharacteristic elements of fantasy and mystery. In his life, Heinlein authored over thirty books, twice as many stories, and sixteen collections. In recognition of his achievements, the Science Fiction and Fantasy Writers Association named Heinlein the first Science Fiction Grand Master in 1974. The master himself has made his mark on our copy of Jonathan Hoag with an inscription that reads: “To Terry, Thank you for everything!”

With its ties to Heinlein, Gnome Press, and Astounding, this book is a piece of sci-fi history. Come by The Dawn Treader today to see Heinlein’s gratitude for yourself.

Naked Lunch

by William S. Burroughs

First Edition, First Printing | Signed Loose Bookplate | Grove Press | 1962

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William S. Burroughs was one of the most prevalent writers of the Beat Generation, a literary subculture movement characterized by rejection of traditional narrative elements and subversive exploration of American cultural and political norms in the wake of WWII. Naked Lunch, Burrough’s most famous book, is a classic example. The experimental novel is a chronology-defying series of almost plotless vignettes that take place in the U.S., Mexico, Tangier, and the Interzone, often portraying the main narrator, William Lee (a stand-in for Burroughs) caught in the grip of some sort of vice or violence, addiction or desire. Masterfully absurd and surreal, Naked Lunch has been called “obscene,” “incomprehensible,” and “one of the best novels of the 20th century.”

Naked Lunch was first published in Paris in 1959 under the title The Naked Lunch. The additional “the,” which was never intended by Burroughs, was removed when Grove Press published the first American edition in 1962 (the delay was due to the book’s violation of American obscenity laws). Our copy of this first edition, first printing from Grove Press is particularly special because it includes a loose bookplate signed by Burroughs himself.

How does a signature like this affect the value of the book? When determining the value of a signed book, a bookseller must consider the form the signature takes. Here’s a quick lesson in the most common types, and their comparative values — presented with the caveat that value is always variable depending on many factors, especially the book’s condition.

Flat-signed books contain the author’s signature, with no additional notes, usually on the title page or another early page in the book. This is usually the most valuable version of a signed book, save for some exceptional association copies (see below).

Inscribed books contain the author’s signature and a note, usually addressed to the book’s owner — for example, if this copy of Naked Lunch were signed, “To Harry: Have a nice lunch. William S. Burroughs.” These are usually not worth quite as much as a flat-signed copy, because while the extra note adds an element of personalization, is not as meaningful to any future owner of the book who is not the addressee.

Association copies are signed with notes or addresses to someone famous or important. These can be extremely valuable, depending on the significance of each of the names on the page. For example, if this copy of Naked Lunch were inscribed to fellow Beatnik Jack Kerouac, it would be extremely valuable. If it were inscribed to someone like Rupi Kaur, it would be worth less, and possibly even less than a flat-signed copy. Book collectors value association copies because they tell a story — they imply the book has changed hands between two people of significance. What was the context of this exchange? What influence might this relationship have had on the writing of this book, or the characters, or simply the author’s life?

Signed bookplates aren’t generally considered as valuable as flat-signed or inscribed books because there is usually no way to guarantee the author ever physically touched pen to paper on that particular edition. A bookplate could have been signed at any time, then attached to or inserted into the book separately. Some bookplates themselves have value, if they are designed by particularly renowned artists. For others, like our Naked Lunch bookplate, the main source of adornment and value is the signature itself.

Come by Dawn Treader today to check out Naked Lunch and our other treasures of the Beat Generation!

Amphigorey Too

by Edward Gorey

SIGNED | First Edition | G. P. Putnam’s Sons | 1975

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Edward Gorey was a Creative with a capital C – a writer, illustrator, set and costume designer, fur coat-clad style icon, and eccentric companion to a host of artists and intellectuals who formed a corner of the counterculture movement at Harvard, Boston, and beyond. Gorey was prolific – over the course of his career, he illustrated over 200 book covers, wrote and illustrated over 100 books, stories, and unclassifiable “works,” and won a Tony Award for Costume Design in the 1977 Broadway revival of Dracula, among other accomplishments.

Amphigorey Too was published as a follow-up to Amphigorey, the first collection of Gorey’s works. It anthologizes 20 Gorey stories that may be difficult to find or buy individually, including such gems as “The Beastly Baby,” “The Nursery Frieze,” “The Pious Infant,” “The Inanimate Tragedy,” “The Gilded Bat,” and more. Gorey’s signature style is on full display – Victorian, gothic, surrealist, absurd, and darkly funny. The combination of these elements leaves a reader unsettled, with a vague sense of the macabre, rendered whimsical with biting humor.

Gorey’s status as “cult classic” is a big factor in determining the value of this first edition, signed copy of Amphigorey Too – those who followed him followed him fervently, and consider his signature something to cherish. A Gorey book contains not only his one-of-a-kind words and illustrations, but also his personal flair, his refusal to define himself as a certain type of artist and person. Much as his work steered clear of categorization, Gorey himself defied binaries of sexuality and traditional notions of masculinity. His friends – including, notably, his roommate Frank O’Hara, who would go on to be a celebrated member of the New York School of poets – were mostly outwardly gay, and Gorey held himself with an exuberant, eccentric air, dressing flamboyantly in oversized fur coats, scarves, sneakers, and heavy rings. But despite copious speculation on his sexuality, Gorey never explicitly labeled himself, leaning instead towards answers such as this (printed in the September 1980 edition of Boston magazine): “What I am trying to say is that I’m a person before I’m anything else.” (If you want to read more about Gorey, O’Hara, and their participation in queer culture, we highly recommend the LitHub article “Edward Gorey, Frank O’Hara and Harvard’s Gay Underground” by Mark Dery.)

Gorey’s lasting influence shows in works influenced by his style, including Daniel Handler (Lemony Snicket’s) children’s books, A Series of Unfortunate Events, and the music video for the Nine Inch Nails song “The Perfect Drug,” which was designed to contain Goreyesque set elements and costuming. When Gorey died in 2000, he left much of his estate to a charitable trust that benefitted cats, dogs, bats, insects, and other such creatures, and he left his one-of-a-kind books to a following of readers eager to see the world through Gorey’s strange point of view. This signed first edition of Amphigorey Too is a celebration of art, counterculture, and uniqueness. If you love Gorey like we do, come by the store to take a look at this and 10+ other signed works in our collection!

Beloved

by Toni Morrison

SIGNED | First Edition, 12th Printing | Alfred A. Knopf, Inc. | 1988

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Toni Morrison was a powerhouse and a revolutionary in the literary world. She was the first Black woman editor at Random House. She wrote and published 11 novels in her lifetime, as well as children’s books and essay collections. In 1993, she became the first Black American woman to win the Nobel Prize in Literature. Her name falls high on any list of most-frequently banned authors, but her graceful yet unflinching depictions of race, class, family, and love remain relevant and well-read to this day. And her very own pen has touched the pages of this signed, 12th printing, hardcover edition of Beloved.

Beloved is based on the true story of Margaret Garner, an enslaved woman who killed her own child to spare her from a life of slavery. A controversial classic of American literature, it has been banned and censored from some schools and libraries over the years, most commonly for reasons of bestiality, infanticide, sex, and violence. But despite subsequent debate, Beloved received an outpour of acclaim upon publication, winning the Pulitzer Prize for Fiction in 1988, as well as the Robert F. Kennedy Memorial Book Award, the Melcher Book Award, the Lyndhurst Foundation Award, the Elmer Holmes Bobst Award, and the Anisfield-Wolf Book Award. It was nominated for the 1988 National Book Award, and when it didn’t win 48 notable Black writers and critics — including Maya Angelou, June Jordan, Angela Davis, and others — signed a letter of protest that was published in The New York Times Book Review.

Morrison kept another letter close to her heart — and framed on her wall. The Texas prison system wrote her after her novel Paradise was removed from prison libraries because they thought it might incite riots. In the 2019 documentary The Pieces I Am, Morrison remembers receiving the letter and thinking, “How powerful is that! I could tear up the whole place.” This “tearing up the place” spirit endures in the pages of Beloved, and in all of Morrison’s iconic writing.