Posts Tagged → fiction

If Beale Street Could Talk

by James Baldwin

First Edition | The Dial Press | 1974

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James Baldwin’s fifth novel is, in many ways, emblematic of his work. A love story set amidst the racial injustices of midcentury America, If Beale Street Could Talk irrevocably intertwines suffering and passion, family and society, and how our human bonds shape our lives. 

This is the main thesis of much of Baldwin’s oeuvre. The main characters, Tish and Fonny, are engaged, pregnant, and trying their best to get by. But life, in the form of a false criminal accusation, derails their plans. Social and economic prejudices shape the accusation leading to Fonny’s arrest. 

Tish, the narrator (and Baldwin’s only female protagonist), struggles not only with Fonny’s arrest and all that entails, but with her pre-marital pregnancy. Religion, family, and social expectations both weaken and strengthen her familial bonds with both her and Fonny’s parents. Tish’s mother and Fonny’s father both go on journeys to try and save their children. In the end, Fonny is released from prison and Tish has their child, but the ending is neither a happy nor a sad one. Instead it is ambivalent and unsettled–a mirror of the world they live in. 

And as much as it is a romantic love story, If Beale Street Could Talk is also a familial love story. Extreme sacrifices are made for the love of Tish and Fonny. Their parents, with their own baggage and beliefs, clearly love their children and do their best to help them. The unity between all of them–symbolized by Tish and Fonny’s unborn child–tethers our characters together and ultimately allows them to get through their individual and combined struggles. 

In this way it is a very traditional love story. Its unconventionality lies in the social, economic, and racial commentary Baldwin so deftly weaves around his storytelling. Love, and life, cannot be separated from these outside sources. And it is this love that ultimately saves our characters from the psychological terrors of life, when others do not, or cannot, survive. Not exactly a high note to end on, but it is one of hope–that all the love in our own life, will also see us through.

Williwaw

by Gore Vidal

SIGNED | First Edition | E. P. Dutton & Company | 1946

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Gore Vidal was many things: novelist, screenwriter, sometimes-actor, attempted politician, and a problem child of belles-lettres, to name a few. He wasn’t shy about picking fights with literary giants — there’s even a section on his Wikipedia page dedicated to “Feuds.” Opinionated and polemical as he was, Vidal had an undeniable influence on culture and the writing landscape. He wrote his first novel, Williwaw, when he was only nineteen, thus beginning a prolific career.

Vidal wrote much of Williwaw during his time as an officer in the Army Transportation Corps, stationed near the Aleutian Islands, where the novel’s titular wind phenomenon occurs. Williwaw takes place in the same setting on the margins of World War II, during the local storm season. Its minimalist style and exploration of nature vs. human nature recalls writers such as Hemingway and Stephen Crane, and the novel’s success placed Vidal in an elite category of young post-war novelists like Norman Mailer and Truman Capote (a comparison which would likely spark Vidal’s ire — see “Feuds“).

Despite Vidal’s military upbringing and his own personal involvement in the army, his political views often circled back to a belief that the United States’ militaristic, imperialist foreign policy had turned the country into a disgraceful, failed experiment. In the post-9/11 years, in particular, he vocally opposed the Bush administration’s invasion of Iraq. Not just in the case of war but in any cause towards which he felt a twitch of passion, Vidal nestled snugly into the self-appointed role of “tremendous hater.” He was a man in touch with all the world’s ups and downs, who believed the “downs” to be most prevalent, and who wrote about it all in a body of work equally satirical and deadly serious.

With this first edition of Gore Vidal’s first novel, we can see the seeds of a storied career. The Dawn Treader’s copy even bears his own handwriting — a note to Charles Abramson, an old Broadway Angel and friend of Vidal’s, and his signature — the enduring mark of a prolific provocateur.

(Visit us in the store to see our signed first edition of Gore Vidal’s novel Creation!)

Nine Stories

by J.D. Salinger

First Edition | Little, Brown and Company | 1953

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In 1948, J.D. Salinger wrote a story so good that the New Yorker requested first rights to publish every subsequent story he would write. Five years later, the famed “A Perfect Day for Bananafish” was given first billing in Nine Stories, Salinger’s story collection follow-up to his smash hit novel, The Catcher in the Rye. If Catcher in the Rye earned Salinger his membership in the annals of literary history, Nine Stories cemented it, establishing him as a writer with uncommon abilities to draw out the joys and sorrows of the human experience. The collection explores themes that were particularly poignant in the aftermath of WWII (in which Salinger himself fought), complicating conceptions of innocence and culpability, violence and trauma, death, madness, genius, and love. Many of these stories — seven of which were published in the New Yorker, per the magazine’s wishes — are classics among not only readers but writers as well, who study their innovative voice, their structure, and their play between the dark and the light.

The stories in Nine Stories are not only linked thematically, but by family ties. “A Perfect Day for Bananafish” introduces readers to the Glass family, who would go on to occupy Salinger’s creative mind for the rest of his literary career. Seymour Glass is a veteran with all the hallmarks of PTSD, which displays itself in bouts of strange and concerning behavior. He returns in many of Salinger’s later stories: Raise High the Roof Beam, Carpenters, Seymour: An Introduction, and Franny and Zooey. Likewise, other members of the Glass family weave through the pages of Salinger’s various stories and collections — Franny and Zooey Glass, Walter Glass, and Beatrice Glass Tannenbaum, to name a few. “Buddy” Glass, who narrates Zooey and is a protagonist in Raise High the Roof Beam, Carpenters, and Seymour: An Introduction, is revealed to be the writer of at least three stories from Nine Stories, and is considered by many to be a stand-in for Salinger.

While pieces of truth from Salinger’s life are scattered throughout his stories, the author himself was famously resistant to public perception. He published his last story, “Hapworth 16, 1924,” in 1965, but continued writing for years, reportedly completing many more novels and stories for his own pleasure or to be published posthumously. Some of these featured members of the endlessly compelling Glass family. It is widely agreed that Salinger’s fascination with the creation of these Glass lives, loves, and tragedies influenced the future of the literary landscape and redefined the possibilities of what a short story can do.

Come touch a piece of this history in the Dawn Treader’s first edition of Nine Stories, in which you can see Seymour Glass’s very earliest appearance between the boards of a book.